Six-Star Songs: Black Sabbath, “Into the Void” (1971)

Just as I was late to the party with the Beastie Boys, I was (very) late to the party with Black Sabbath. I didn’t catch the “classic rock wave” that all my friends jumped on in the summer between eighth and ninth grades. While looting my father’s record collection during college, I got into groups like Creedence Clearwater Revival, Jimi Hendrix, and Led Zeppelin, but I probably continued neglecting Black Sabbath simply because my Dad didn’t have any of their albums. Not too long after this though, I managed to land an original pressing of their debut self-titled for six bucks from Last Vestige, my local record store back in Albany (it was a green-label Warner Bros. U.S. pressing, for all your record nerds out there). While I sampled the title track for my own music around that time, it would be over a decade before I would explore their entire catalog.

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Six-Star Songs: Best Coast, “Goodbye” (2010)

Albums don’t get more perfect than Best Coast’s 2010 full-length debut Crazy for You. There is not a single dud or mediocre track on it, and it is extremely unique and consistent in its sound, mood, and vibe. Above all, the album’s sonic signature sets it apart, that ultra-warm, analog, lo-fi sound, which recording engineer Lewis Pesacov is in all likelihood most responsible for. (One perk of making a blog is that I find out cool shit like this that I normally wouldn’t have.) Pesacov takes producer credit for the album on his website. Technically he’s not given that credit in the album’s liner notes, but his claim to that title is what makes me think he’s the sound’s main architect. Specifically, the choices for reverb speak to much of that sound’s character. Bethany Cosentino’s vocals have some really lovely ‘60s sounding reverb on them, and the guitars often have a nice vintage spring ‘verb as well.

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